The Accademia Della Moda presented the collections of the students in the academic year 2021. With a new set-up, on Thursday, October 6th, the Accademia exhibited a best-of of the works developed in each of the educational areas: fashion, costume and communication, declined in Final and Industry Projects, editorials and photo shoots. A unique support to the students has been given by all the production chains of Made in Italy, in particular for the projects:
Every collection is linked to the concept of tailoring and craftsmanship that is composed and decomposed like the Rubik’s cube for example the Japanese kintsugi technique, the Filipino loom techniques or macramé that gives life to a metissage between East and West.
Another main topic is the sustainability achieved through the recovery and transformation of fabric waste. An inner journey with no creative, spiritual or concrete boundaries, therefore, able to excite and bring us back to the world of tailoring and experimentation with shapes and fabrics.
“Waste” is the journey the young designer Jasmine Goventosa made into upcycling, between traditions and experiments, which tells the story of sustainable change through the recovery and transformation of waste.
It is a step back in the past, made up of contact with nature which discarded foods that afford new life in dyeing, in craftsmanship where hands appear always dirty and at work; the collection is also a step forward, in the future, with the creation of new type jeans that change in value and durability.
The garments are characterized by denim fabric, fringed, cut-outs and crossings that create a dynamic effect with a contemporary and modern vision.
Jasmine Goventosa
Jasmine Goventosa
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he “Contesto” collection created by the fashion student Elena Sofia Casolaro, in the etymological sense of the term, represents what is woven together, is the idea of a knot that unites two apparently distant worlds and which, through macramé, gives life to a metissage between East and West recalled in the processes carried out entirely in hand through different weaving techniques.
Each culture is a mixture of influences and contaminations coming from the peoples of different geographic areas; precisely this inevitable intertwining of threads wants to indicate, in this work, the term macrame.
Annalisa Palmisano found inspiration for her collection in the famous Rubik’s cube, the faces that change colour and the interlocking of different pieces that form a whole.
She reinterpreted the concept using a particular technical process. Her graduate project titled “Incastro Perfetto” represents her vision of an ideal fashion, which is a combination of traditional tailoring and experimental pattern making. The collection offers rigid and structured lines and volumes, but softened by the transparencies due to the processing.
Each look is monochromatic, the colour palette is made up by the classic black and white, a touch of dark antique pink and a beautiful shade of purple, that immediately caught our attention.
I Don’t Wanna Be Persona” is a queer collection by the young fashion designer Remo Vanacore based on the Pirandellian work “Uno, nessuno e centomila” where the loss of identity leads men to confront the canons of an artificial society.
Identity is changeable, in continuous movement and transformation, it is like words, with time it acquires new meanings, adapting to the reality that surrounds us. A reality that deforms, expands and changes, where old meanings become new meanings.
The garments are linked by a fil rouge or in this case a literal green thread that joins most of the outfits. The young designer combines different techniques and styles, such as tailoring and knitting, creating a new mix, modern and captivating.
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