Words by Lola Boag
Blending sharp lyricism with layered guitars and dual harmonies, Oswald Slain rides the line between high-tempo indie rock and stripped-back Americana. The Bristol-based band, formerly known as Little Thief, recently released their latest EP, KISS ME ON THE MOUTH, an eccentric, emotionally raw release that swings from singalong choruses to gritty confessionals.
ASBO Magazine attended their Brighton date on 26 April, hosted at the Rossi Bar — a basement-like venue packed with curious newcomers, local supporters, and plenty of attitude.
Support came from Brighton acts Ever Elysian and The Roebucks, setting a friendly and open tone for the night. Oswald Slain took the stage with confidence, feeding off crowd interaction from the very start. Two fans at the front sang every word, trading jokes with frontman Charlie between songs, which gave the show a dynamic playful rhythm.
Oswald Slain’s sound channels elements from the likes of The Strokes and Foals, with vulnerable lyrics and infectious guitar riffs. Tracks from the new EP offered a mix of heavy noise and reflective moments, with standout harmonies that lifted even the hard-hitting lines. Their final encore stripped everything back to just acoustic guitar and vocals, offering a moment of calm that landed perfectly after the chaos.
There’s a DIY, no-frills approach to Oswald Slain that makes their performances feel personal. Tech issues didn’t faze them — they leaned into the mess, cracked jokes, and got on with it. Even their merch stood out: cassette copies of the EP were on sale, a refreshingly old-school move in the era of digital links. According to Charlie, they’re “cheaper than CDs,” but they also fit the band’s aesthetic: nostalgic, bold, and not overly polished.
The shift from Little Thief to Oswald Slain marks more than a name change. This new era comes with cutting songwriting, louder emotion, and a clear connection to listeners. The music doesn’t just sound good — it feels lived in.
Oswald Slain are not afraid to sound rough around the edges. That’s exactly what gives them impact. KISS ME ON THE MOUTH captures their distinctive edge with both volume and vulnerability, and their live show proves they know how to hold a room, no matter the size or setup.
